moodoofoo: Joan Brown The Fan (Homage to Sai Babha), 1980. oil...
Andrew Pommier The Warren @scratching
hikarishimoda: “Solitary Child”, 2007. 297mm×210mm. acrylic...
hikarishimoda: “Solitary Child”, 2007. 297mm×210mm. acrylic gouache. 個人蔵 Private collection. hikari shimoda
zolloc: thoughts Hayden Zezula
etrangeenferdelabeaute: Les premières fleurs de sakura Erik...
lesstalkmoreillustration: Jon Ander Torres MAD MAX –...
lesstalkmoreillustration: Jon Ander Torres MAD MAX – Furiosa Check us out on Instagram: @Lesstalkmoreillustration
redlipstickresurrected: Conrad Roset (Spanish, b. 1984,...
redlipstickresurrected: Conrad Roset (Spanish, b. 1984, Terrassa, Spain) - From Muses series, 2009-10. Drawings: Acrylics, Pencils
bibliolectors: Tardes de verano lector (Day 4 ilustración de...
kaifineart: Michał Świder… Caligo
thunderstruck9: Rosson Crow (American, b. 1982), 16th Street...
thunderstruck9: Rosson Crow (American, b. 1982), 16th Street Baptist Church, Birmingham Alabama, 2013. Acrylic and oil on canvas, 87 x 77 in.
jinxproof: Angela Lindvall, Elle US (March 1998) ph. Gilles...
criticalmera: Julie Johnson New York Jazz Festival, 2010
D. Vlasov
thunderstruck9: Georgy Gurianov (Russian, 1961-2013), After the...
thunderstruck9: Georgy Gurianov (Russian, 1961-2013), After the Battle. Acrylic over pencil on canvas, 60 x 80 cm.
gottliebfoundation: Adolph Gottlieb Demon of the Night,...
gottliebfoundation: Adolph Gottlieb Demon of the Night, 1946 “Gottlieb’s idea of using the grid as vehicle for more or less freely associated and randomly organized images was original. These two sides of the coin, taken together, suggest that what Gottlieb invented in the Pictographs was a machine to process the most diverse sources into a nonhierarchical, decentralized array – a cultural leveling device, a destroyer of distinctions.” – Harry Cooper, The essay “Starting with Oedipus: Originality and Influence in Gottlieb’s Pictographs” by Harry Cooper is now available to view on our website.