Felix Inclusis

wavegrower: tumblropenarts: spring wave by Frédéric Vayssouze-Faure Tumblr

klaudijusmankus: Testing some things out.. by Klaudijus Mankus

transistoradio: Adolph Gottlieb (1903-1974), Blues on Green (1970), screenprint in colours, on Arches paper, 45.1 x 60.3 cm (image). Via Phillips.

agathabaxter: Lucio Fontana, Concetto spaziale (Forma), olio, 1963

thee-gold-bug: Euan Uglow / Mandi / 1985-89

artburgac: Janusz Karbowniczek

Naomi Mori

thunderstruck9: Keith Haring (American, 1958–1990), Untitled, 1983. Marker on yellow paper, 79 x 109 cm.

thunderstruck9: Jeff Elrod (American, b. 1966), Pilot, 2012. Acrylic, enamel and tape on canvas, 72 x 59 in.

topcat77: Agostino Bonalumi, Italian b 1935. Yellow. 1969. Ciré everted

paddle8: Dan Asher• “Untitled,” 2009 • The BOMB Magazine Benefit Auction• April 08 — April 22

travnash: Lennon -Trav Nash

kangheekim: Kanghee Kim, 2015

ennji1: Ennji Behance Facebook Instagram

artdeandra: Queen Wilhelmina by Paul Berthon

vogue: 15 bunny portraits in the style of the great Irving Penn: Photographed by Noah and Daniel

clubhaus: Occasionally, when I leave the doors of Block Club, I travel about 100 feet from my desk and spend my time in the basement at Squeaky Wheel, Buffalo’s long-standing media arts center where I also teach some classes on using creative design software like the Adobe Suite. I don’t do this because I’m some sort of expert user of any of these powerful and complex applications, but rather because I really enjoy teaching people things and the unique challenges that it presents. Taking these complicated, tedious processes, many of which have become a sort of muscle memory through repetition in my work, and explaining them in simple terms to someone who has no prior understanding is at once challenging, eye opening, and somehow really satisfying. For me, however, one particularly tricky skill to speak about has always been how to use the pen tool. Maybe because it’s too ingrained in me at this point that I’m no longer conscious of how exactly to get it to do what I want anymore, it just kind of happens somehow. And also because when you get down to the nuts and bolts of how it works, it’s really pretty damn strange. That’s why I use this online pen tool game/tutorial; it's so fascinating. It teaches you by example, most of what you need to know to master drawing with the pen tool and it does so completely without language, which is something that can easily excite any graphic designer. Try it out for yourself and see how well you do. If you find it incredibly frustrating, maybe I’ll see you across the street at one of my workshops.-Ryan