nomand: Nothing can describe the experience of Journey. The multitude of layers of meaning this game delivers is unbelievable, from the environmental message in the main storyline, issues of indigenous people and resource mining, to values of companionship on path of enlightenment and it’s temporality, language, rebirth, every playthrough reveals something deep and thoughtful. I’m in love with this game, to which I pay tribute with this pixel art piece. I can only hope you play the game and experience the Journey for yourselves. By nomand
nomand: Nothing can describe the experience of Journey. The...
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ekaterina-koroleva: Progress finished! #illustration #blossom...
ekaterina-koroleva: Progress finished! #illustration #blossom #woman #fashionillustration #floral #magnolia #brown #artwork #instaart #pencil #personalwork #ekaterinakoroleva #berlin
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bibliolectors: Me mimetizo con la lectura (ilustración de Miharu...
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montefiorelvad: carlos guzman
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fidelisartstudio: Sarah Nicole François, Oil
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ufukorada: The White Ribbon by Albert Lynch (detail)
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da-da-sk: Sin título by Adolfo Ramón Via Flickr
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thatsbutterbaby: Turi Simeti
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mzteeeyed: #Gregor Hildebrandt
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thunderstruck9: Jim Dine (American, b. 1935), Teeth, 1961....
thunderstruck9: Jim Dine (American, b. 1935), Teeth, 1961. Gouache on paper, 20 x 24 in via chimneyfish
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treebystream: Bryan Illsley
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© Jess Isaiah Levin
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thunderstruck9: Jason Martin (British, b. 1970), SOS, 1998. Oil...
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thunderstruck9: Donald Sultan (American, b. 1951), Blacks and...
thunderstruck9: Donald Sultan (American, b. 1951), Blacks and Blues, Jan 16 2009. Enamel, tar and spackle on tile over masonite, 24 x 24 in.
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yama-bato: Tacita Dean • More or Less • 2011
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balenciwanga: Daul Kim in “Lonely Spirits” Muse #16 photographed...
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saraandreasson: Work in progress by Sara Andreasson
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topcat77: Miya Ando Vermillion Summer Yellow. 2014, pigment,...
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artafrica: Tanya Bonello Noongun minus 1
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thunderstruck9: Donald Sultan (American, b. 1951), Yellow...
thunderstruck9:Donald Sultan (American, b. 1951), Yellow Flowers, May 28 2004. Oil pastel and charcoal on paper, 22 x 29¾ in.
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