beautifulbizarremagazine: Beautiful WIP illustration by Aurea...
lucianocaggianello: “La tensione dei perimetri - The tensione of...
lucianocaggianello: “La tensione dei perimetri - The tensione of the perimeters ” Luciano Caggianello
styletaboo: Louise Nevelson - Sculpture detail
amospoe: Mel Bochner Do I Have to Draw You a Picture (2013) “I...
amospoe: Mel Bochner Do I Have to Draw You a Picture (2013) “I never read. I just look at pictures.” ― Andy Warhol
styletaboo: Louise Nevelson - Sculpture detail from Dawn’s...
midnight-charm: “Peek-a-boo. Special Iris Van Herpen Archives...
midnight-charm: “Peek-a-boo. Special Iris Van Herpen Archives & Haute Couture” Estella Brons photographed by Marie-Fleur Charlesworth for ODDA Magazine. Stylist: Alba Melendo
djinn-gallery: Keith Haring
ninipeony: L.A. LIISA AID Black pattern Nini Peony (Inès...
chaosophia218: Athanasius Kircher - Sciathericon...
chaosophia218: Athanasius Kircher - Sciathericon Ascendentium, “Ars Magna Lucis et Umbrae” (The Great Art of Light and Darkness), 1646. (edited)
thokamaer: Animated illustration that I made for an artist panel...
thokamaer: Animated illustration that I made for an artist panel I was part of together with @samcannon, @awfulland, @traceloops and @zolloc at @manacontemporary on Saturday Nov. 12th. Thoka Maer
thunderstruck9: Mike Kelley (American, 1954-2012), Cave...
thunderstruck9: Mike Kelley (American, 1954-2012), Cave Painting, 1984. Synthetic polymer on paper, in twelve parts, overall: 144 x 192 in.
drawingontheleftsideofthebody: Previously mentioned...
thunderstruck9: Hans Bellmer (German, 1902-1975), Poupée...
thunderstruck9: Hans Bellmer (German, 1902-1975), Poupée désarticulée [Dislocated doll], 1954. White gouache on black paper, 50 x 50 cm.
chaosophia218: Vincenzo Scamozzi - Vitruvian Man, “L'Idea...
chaosophia218: Vincenzo Scamozzi -Vitruvian Man, “L'Idea dell'Architettura Universale” (The Idea of Universal Architecture), 1615. Throughout the course of human history, the concept of Proportions has been applied across civilisations. The knowledge of Sacred Geometry, and the Golden Ratio in particular, was considered highly advanced and closely linked to secretive Spiritual Wisdom and religious traditions. In the West, the knowledge of Sacred Geometry was intentionally guarded for hundreds of years and may have been purposefully forgotten or discarded. This illustration aims to initiate a contemporary dialogue surrounding the lost knowledge of Proportions and Sacred Geometry, and shows how Proportions can inform the essential design of life in the present and how we may use this knowledge to create a blueprint for the future.