Felix Inclusis

showstudio: Lady Gaga, 2009. Nick Knight. This is was taken at the SHOWstudio exhibition where I was one of the exhibits. Or rather my studio was. We constructed a working photographic studio inside the gallery with the back wall as a two way mirror so the public could see in but from our side it was just a mirror. When Gaga came the gallery was full of her Little Monster fans all pressed up against the glass. She was in hair and make up for 3 hours by which time her fans were beside themselves desperate to see their idol. Gaga walked into the studio looking amazing in blond wig and beautiful YSL vintage suit. She walked up to the mirror and - just as if she was alone in her bathroom - applied her lipstick, her face literally inches away from her fans but still totally untouchable. It was one of the best bits of contemporary fashion performance I have ever seen, articulating ideas of the remoteness of celebrity and the loneliness of fame brilliantly. Her face was lit up in a sea of hundreds of little red glowing dots from the auto focus red LEDs on her fans cameras. Just beautiful.

withnailrules: June Leeloo Flymefull

abstract-dimension: Holy Seduction (by Mallory Page)

socialclaustrophobia: Ennio Finzi(Italian, b. 1931), Il verso del colore in viola, 2010. Oil on canvas, 30 × 30 cm. via

Corky McCoy back cover of the album On The Corner by Miles Davis

danismm: Shusei Nagaoka

theegoist: Sohan Qadri (1932-2011) - Untitled (2004)

ivanabesevic: cajsa Ivana Besevic

bellowdesigner: 영화보면 심하게 몰입한다 행복한 영화만 봐야지 #영화#그림#design #손그림 #instaart #artdirection #디자인 #day #bellow #graphicdesign#Simple #color#図#落書き#デザイン#이미지합성 Bellow

c86: Poster for the School of Visual Arts, c. 1960s. Illustrated by Phil Hays and designed by Ivan Chermayeff

artezza: June Leeloo Setsugekka

redlipstickresurrected: Tim Walker (British, b. 1970, England) - Tilda Swinton, De Menil Collection, Texas, USA, W Magazine December 2014 Photography Art: 19th-century artist, Joseph Sacco - Oeil de Jeune Femme, (Tiny Painting of an Eye), framed by a brass oval, dark crimson velvet, in a rough leather box.

stremplerart: W. Strempler, 2016

flashofgod: Raoef Mamedov, Last Supper, 1998. In a post-modern way this project combines cinematic theatre, photography, art history, theology and computer technology in photographs of 80 by 60 cm, depicting biblical scenes from the New Testament which are “enacted” by people with Down’s syndrome.

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